SIPF 2008
- Overview
- Programmes
- Outreach
- Awards
- The Curators
- The Contributors
- The Sponsors
- Exhibitions & Artists
- Abir Abdullah
- Ahmad Zamroni
- Amdadul Huq
- Annabel Elgar
- Anthony Haughey
- Assada Porananond
- Adam Buczek
- Brea Souders
- Brigty Gidey
- Corinne Vionnet
- Chae Kyung
- Dan Nelken
- Dara McGrath
- Dhanushka Amarasekara
- Diego Ravier
- Eva Stenram
- Elliott Wilcox
- Eiffel Chong
- Eirini Boukla
- Frank Pinckers
- Frank Rothe
- Giovanni Barba
- G.M.B. Akash
- Hardi Hashim
- Harri Palviranta
- Ho Hui May
- Han Tan
- Ines Gennuso
- Jagath Dheerasekara
- Joel Yuen
- John Robinson
- Joshua Kraemer
- Jiang Zheng Qing
- Khairul Azril Ismail
- Kim Boske
- Ko Yamada
- Kornkrit Jianpinidnan
- Kushal Ray
- Lee Hong Seok
- Lester V. Ledesma
- Liu Tzu Cheng
- Luis González Palma
- Marti Mueller
- Munem Wasif
- Michael Shaoawanasai
- Nicolas Pascarel
- Paul Kohl
- Pushpamala N
- Palani Mohan
- Qiu Ke Man
- Roger Hopgood
- Sarah Mei Herman
- Sean Lee Puay Yang
- Selby Hickey
- Selva Prakash
- Silvia Boarini
- Sohrab Hura
- Stella Kalaw
- Tan Ching Yee
- Tristan Fennell
- Lao Liu
- Vee Speers
- Vidura Jang Bahadur
- Wang Jing Chun
- Yu Wen Guo
- Zhao Renhui
Roger Hopgood
Sep 11, 2009
Due to negative influences from British science fiction films of the 1940s and 50s, which led to the dilution of identity in rural England, Hopgood highlights the necessity, significance and conservation worth of a shared heritage within the narratives of Englishness.
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