In these spaces, Ho sees conditions of a dystopia; erasure, neglect and decline in the interior spaces of dilapidated and unoccupied houses in Singapore. They imbue an absence, made more poignantly surreal by the traces former inhabitants left behind. She imagines the multitude of human emotions, relationships, and memories that these houses would have contained in their past lives. She would love her audience to experience and share similar evocations. Her photographs also juxtaposes the historical and the modern, clearly demarcating the borders of the new and old, thus recreating a sense of dystopia.