David Billet and Ian Kline made the pictures in Rabbit / Hare on a road trip to Texas. And right away that statement is going to create a certain set of expectations among viewers of this book. Perhaps no other region in the United States comes with such a strong set of preconceived
notions. So yes: you’ll see ten-gallon hats, a wayward confederate flag. Even a baptism in a watering trough.

But the real glory of Rabbit / Hare is how surely its makers have defied easy stereotypes: these pictures do not derive their palpable life from mere subject matter. In this book, butterflies and
back hair are equally magical and mundane, as they should be. Qualities of light are equally qualities of sensibility. The human beings in the pictures gently revel in the pleasures of riding horses, or smoking cigarettes, or exposing skin to sun and air.

Rabbit / Hare will not tell us anything about how to evaluate any particular state or region or electorate. What we see instead is how to meet the world with open minds and open hearts and to make something lasting of that meeting.