The photographer Aras Gökten has sought such places with his camera. He found them at trade-fairs, in shopping centers, at airports and in all kinds of real estate development plans. He shows shopping spaces, poster walls, homes and event halls right beside so-called green spaces — a staging of model-like artificiality, internationalized, exchangeable, yet representing in a symbolic way the dystopian nature of these kinds of buildings. In the midst of this: individuals who seem lost. Here and there, something organic interferes with this strict geometry. There is a man set up in a construction resembling a hamster wheel, a poster wall with an alpine panorama and a tree planted in the midst of the asphalt.