Once there lived
Human sight is designed in a way that we primarily pay attention to something we believe to be important and topical at that moment – the rest automatically becomes a visual noise, a background for the central figure. In this case the camera perfectly copes with its function of the surrounding content filter, because it is precisely the author who decides what to direct the lens at, and what – to let float free in “foam of the daze.” What, like a fly in amber, to put into a timeless frame. To photograph is to make someone’s existence possible. But at the same time, any “I” inevitably becomes a part of a much larger panorama. An endless story about those very “people we see on the trolleybus” whose faces each of us so diligently learns not to notice throughout one’s life course.
The project “Once there lived…” presents an attempt to remove the lens frame, to unlearn the skill of “unseeing.” This is an experiment on fixing the reality flow in a way it is routinely, boringly and impersonally stands in front of us. The Crowd of crowds song, perceived as a color cacophony without distinct motifs, deprived of heroes and plots. But at the same time, I do not want to remain at the level of hovering in the impersonal: my task is to set in motion (“Camera! Action!”) the whole world bubbling in a typical city square, let it move even inside a shot. The world consists of a mass of details each worthy a particular gaze: here everyone is a hero, everyone is interesting and right, everyone is unique. “Once there lived…” is assembled in a way which enables the viewer to individually gain his or her totally new personal experience of looking, to deconstruct the visual noise, to single out, as if in a sheet music, the imaginary destinies and stories.
Once there lived
15 x 28.8 x 3 cm
Edition of 10