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Steven Evans
Portfolio Reviewer


SIPF Portfolio Review is a springboard for works to be picked up by local and international reviewers. This year, we have a wide selection of portfolio reviewers ranging from editors to curators to festival directors. You will get to present your works to these professionals and receive useful advice and guidance on your works and careers.

In this 6th edition, a participant will be awarded the Best Portfolio Review Prize which gives him/her the opportunity to hold a solo exhibition in the next edition of SIPF in 2020.

Each participant can meet 7 reviewers of their choice, in a one-to-one individual 20-minute session. Participants should bring their actual printed portfolio for review. Presentation of digital files on a laptop is possible but not encouraged.

About the Reviewer
Steven Evans is an artist, writer, curator and executive director of the award-winning arts organisation FotoFest International, which created the first and longest running international Biennial of Photography and New Media Art in the U.S. Appointed in 2014, he is responsible for exhibitions, art programmes, administration and FotoFest Biennial organisation.

Evans co-curated the FotoFest 2018 Biennial central exhibition INDIA: Contemporary Photographic and New Media Art and the 2016 Biennial central exhibition CHANGING CIRCUMSTANCES: Looking at the Future of the Planet. He co-edited the related hardcover books INDIA and CHANGING CIRCUMSTANCES. He represents FotoFest at photography events around the world, including Argentina, Brazil, China, Czech
Republic, Denmark, France, Great Britain, India, Latvia, Mexico, and the Netherlands, and South Korea.

Prior to FotoFest, Evans worked with a wide range of artists and collaborators as managing director of the Dia:Beacon Museum in New York State and as director of the Linda Pace Foundation in San Antonio, Texas. His curatorial work incorporates a range of approaches with a focus on photography, moving image, and new media art.

Preferences
Steven Evans is looking for bodies of work with well-defined purpose, fully formed or near completion, either in still photographs, video or new media.

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