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SIPF Portfolio Showcase

16 Sep 2022 — 30 Oct 2022

In a famous metaphor Henry James explains experience: experience is never limited, and it is never complete; it is an…

Boomers

16 Sep 2022 — 30 Oct 2022

Meet the Korean equivalent of the Japanese salaryman — the ‘Ajeossi’. The term refers to middle-aged men from their 40s…

Mars on Earth

16 Sep 2022 — 30 Oct 2022

It is humanity’s penchant to always seek out new, undiscovered frontiers. In the realm of space travel and exploration, the…

Where Does the Sun Rise; Where Will the Moon Shine

16 Sep 2022 — 30 Oct 2022

In an uncertain era plagued with global crises ranging from the pandemic, heightening geopolitical tensions, to the issue of environmental…

Under the Night of the Unseen Stars

16 Sep 2022 — 30 Oct 2022

Artificial lights have always taken center stage as subjects in Toni Cuhardi’s photographs. He prefers thinking of photography as not…

Dwelling

16 Sep 2022 — 30 Oct 2022

Through montage and multiple exposures, Matthew Cronin re-imagines home furnishing catalogue photographs by J.C. Penney, an American department store chain…

Ground Truth, or How to Resurrect a Tree

16 Sep 2022 — 30 Oct 2022

Ground Truth, or How to Resurrect a Tree illustrates the state of ‘seeing something when there is none.’ Following the…

Unperson | Portraits of North Korean Defectors

16 Sep 2022 — 30 Oct 2022

In George Orwell’s dystopian novel “1984”, an “unperson” is someone who has been vaporised, whose record has been erased. Similarly,…

SEPARATE HIDDEN RULES

16 Sep 2022 — 30 Oct 2022

Masquerading as glossy product advertisements, Makoto Oono’s vivid still life imagery draws viewers in hook, line and sinker, before sensations…

Red Flowers 红花

16 Sep 2022 — 30 Oct 2022

When one reaches a bottleneck in life, looking back may be the way forward.  Red Flowers is a tribute to…

11,565 Kilometre Project

16 Sep 2022 — 30 Oct 2022

Since 2018, Beichen Zhang has been investigating the history and circulation pathways of Chinese artefacts in American museums, in an…

How to Pickle an Adder

16 Sep 2022 — 30 Oct 2022

In 1983 when an inquisitive fisherman picked up a rock and threw it up the steeply-shelving beach at Cell Howell…

Ghost Island

16 Sep 2022 — 30 Oct 2022

Suffused with the enigma and otherworldliness of dreams, Ghost Island is an endeavour at building visual metaphors and frameworks for…

Living Under the Volcanoes

16 Sep 2022 — 30 Oct 2022

Located on the Pacific Ring of Fire, Indonesia ranks third in the world with the most active volcanoes, after the…

of solongs and ashes

16 Sep 2022 — 30 Oct 2022

of solongs and ashes is a visual stream of consciousness reflecting the deluge of memories swirling in Min Ma Naing’s…

The Witch Stage

16 Sep 2022 — 30 Oct 2022

Liza Ambrossio’s art is inseparable from her life, mirroring her experiences as a woman of mixed ancestry born in a…

Room no.2 and Sunset on Unnamed Lanes (2020)

16 Sep 2022 — 30 Oct 2022

“Room no.2” examines the interiors of the homes of Khlong Toey, one of Bangkok’s largest slums, with a straightforward and…

Wandering, Wondering

16 Sep 2022 — 30 Oct 2022

Wandering, Wondering is a story of us all growing up as adults, being accustomed to social norms, and living in…

Post

16 Sep 2022 — 30 Oct 2022

With a background in web creation, Soushi Tanaka became intrigued by the transmission and transformation of visual data via optical…

Work naming has not yet succeeded

16 Sep 2022 — 30 Oct 2022

From 2019 to 2020, a social movement surged in Hong Kong opposing the government’s highly controversial amendment of the legislation…