At the heart of SIPF’s programming lies the Portfolio Open Call, a cornerstone of the festival that has, across every…

“I N S C T S” is a long-term project exploring how insect farming unfolds within extractivism, waste ecologies, the…

We Were Farmers is a 12-year photographic project documenting my family’s journey as farmers in Singapore, from the 1960s until…

For the Toraja people, death isn’t seen as the end but as a continuation of the bond between the living…

Lone Islands (2023 – 2025) has as starting point the low birth rate observed in Japan, and expands to become…

Cusp is a visual inquiry into the inner workings of the cyclical cosmic rhythm held in women’s bodies, and the…

In my home country Malaysia, stateless people are one of the most discriminated groups. Despite being born here, they are…

“You never had those yellow slippers,” my mother says, so firmly that my memory begins to feel betrayed. Yet I…

“Bed Checks” is an authentic look inside one of the hundreds of thousands of relationships affected, and endangered, by the…

Hummingbirds are the only birds capable of flying backwards; their suspended motion mirrors the process of grief, moving into the…

In my series, DEPRESSION. POSSESSION. REPRESSION., I explore the protective and resilient mechanisms women in my family used to survive…

In Dairy For The Downwinders, I explore my ancestors’ experience living downwind of the Nevada Test Site. Between 1951 and…

Drills & Desire imagines an alternative vision of Singapore’s mandatory military service through a queer Southeast Asian perspective. Constructing a…

Through self-portraiture, CAVITEÑA stages the transgender Filipina body as both subject and witness, questioning the rules by which a place…

Can you keep a secret is a long-term project focused on child sexual abuse. CSA has been running in my…

For fifteen years, I have continued to photograph the land and people living in the aftermath of the Fukushima nuclear…

The long-term project How to (Un)Name a Tree (2022 – ongoing) investigates the relationship between naming, seeing, and knowledge formation…

There are 3,000 shoe shiners who go out into the streets of La Paz and El Alto suburbs each day…

Jasmine & Gasoline reimagines the cyclical pattern of descent and return in the myth of Persephone. This time, she breaks…

’31 visualises the parallels between the interwar period and today’s socio-political landscape. Combining 3D photo objects, mixed-media tableaux, still-life images,…