CORNUCOPIA is about abundance in times of pandemic isolation and restrictions. The content of CORNUCOPIA a is formed around the expressions “Simulacrum/Simulation”, “Replacement”, “Improvisation” and “Damage”. The topics for the small studio setup simulations are inspired by Instagram hashtag top charts, which represent the manifold imagination of beauty in the photographic medium: a search on Instagram for the hashtag “sunset” reveals 278 million hits, “flowers” delivers 212 million hits and the top hashtag is “selfie” with 447 million hits; hashtag “reflections” makes it to 28 million hits.

So this gave me a wide playground of photographic stereotypes to work with. Just a few examples: Instead of a real sunset I show the narration of a sunset, the real selfie is replaced by a figure containing only some traces of me. My still lifes share main aspects with the numerous variations of the topics on Instagram – the kitsch and the cliché – , but they play with and bend the expectations of the viewer who is trying to find counterparts to the images he has stored in his mind.

My aim is to scrutinise traditional procedures in photography and to bend the established aesthetics. The still life pictures are complemented by images taken on the empty streets during Corona, showing details of imperfection, improvisation and damage. This emphasises the idea of abundance by creating a contrast and at the same time is a substantial reference to the special period in which the project has developed, a time when we are forced to improvise on a daily basis many aspects of our life. The artwork is accompanied by some short quotations taken from “The Tempest” by William Shakespeare. In “The Tempest” the protagonists are cast up on a lonely island, a surrealistic place, which is paradise and cage at the same time. It reminded me of the current – pandemic – situation and thematises, in a somehow similar way as CORNUCOPIA, exuberant beauty in a restricted surrounding.