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And the sun became black as sackcloth and the moon became red as blood

23 Oct 2024 — 24 Nov 2024

On February 24, 2022, my homeland started the full-scale invasion of Ukraine. To understand where the roots of such aggression…

Trailblazers

18 Oct 2024 — 24 Nov 2024

“Trailblazers” is an inquiry into Egypt’s feminist history through socially engaged self-portraiture and performance, integrated with public archives to forge…

APPUNTI PER UN’ORESTIADE AFRICANA – a democracy in fatigue

23 Oct 2024 — 24 Nov 2024

Pasolini in his pseudo-documentary Appunti per un Orestiade Africane (1970) radicalises an aesthetic of the unfinished characterised by the desire…

Unsere Puppenstube (Our Dollhouse)

23 Oct 2024 — 24 Nov 2024

I have been photographing my younger sister Masantu for over ten years. I started taking it seriously when she expressed…

Around 42nd and 7th

23 Oct 2024 — 24 Nov 2024

In New York, Times Square attracts so many different people from all over the place. This area gives me illusions…

Veiled by Cloud and Mist

23 Oct 2024 — 24 Nov 2024

In the southeastern region of Guizhou, there are numerous ethnic minorities, with the Miao people being predominant. Surrounded by mountains…

BLACK SNAFU

Anti-Blackness seems inescapably mixed into whatever context I place it into; literature, science, government, health, art… look into any “field”…

Weapon of Choice

18 Oct 2024 — 24 Nov 2024

“Loneliness, roaming youths, violence and predators. We were wild nocturnals in the dark, warm nights. Summer left quickly and before…

Confrontation of The Absent Hero

18 Oct 2024 — 24 Nov 2024

These series of works, titled “Confrontation of The Absent Hero,” is rooted in a profound childhood memory that has influenced…

Frantz Fanon, Me and the Questions

18 Oct 2024 — 10 Nov 2024

“Each generation must out of relative obscurity discover its mission, fulfill it, or betray it. In underdeveloped countries the preceding…

El pez muere por la boca / The Fish Dies By Its Mouth

23 Oct 2024 — 24 Nov 2024

“The Fish Dies By Its Mouth / El pez muere por la boca” reflects on the resilience and resistance of…

I saw a tree bearing stones in the place of apples and pears

23 Oct 2024 — 24 Nov 2024

“In the Catholic church there are three classes of relics. The first class is body parts of a saint. The…

Icons

23 Oct 2024 — 24 Nov 2024

The power of icons has consistently fascinated and perplexed artists. It has also challenged them to offer a different narrative…

In Search of Nessie

23 Oct 2024 — 24 Nov 2024

Alongside the projects I stubbornly pursued surrounding airports — “Unnamed Land: Air Port City” (2013-2020), “Night Spotting” (2015-2016) and “Myrtle…

Men Don’t Cry

18 Oct 2024 — 24 Nov 2024

My dad cries a lot these days. Any sad movie never made him cry before. He didn’t cry when our…

People of Clay

23 Oct 2024 — 24 Nov 2024

It took me many years to notice at quieter moments when no one was listening, she would sing. Simple tunes…

Save as Text

18 Oct 2024 — 10 Nov 2024

By utilising glitches in photography and the image-making process of Jacquard Weave, Save as Text employs weaving as a form…

State of Denial

23 Oct 2024 — 24 Nov 2024

My name is Sasha, and I’m a political exile from Belarus. In my homeland, a repressive dictatorship prevails, suppressing freedom…

The Oriental Scene

18 Oct 2024 — 10 Nov 2024

“The Oriental Scene” investigates the concept of Chinoiserie architecture in the UK in the context of de-colonialism. The project uses…

The Persistence of Family

23 Oct 2024 — 24 Nov 2024

Our connections to our ancestors and our descendants often feel stronger than connections to those around us. I often wish…

Things I Can’t Say Out Loud

18 Oct 2024 — 24 Nov 2024

After eight years of living apart, Riti Sengupta moved in with her parents at the onset of the pandemic. Upon…